Tagged: noir

  1. A different GDSP #6. Directed, inspired by jscottgrand. A different GDSP #6. Directed, inspired by jscottgrand.

    A different GDSP #6.

    Directed, inspired by jscottgrand.

  2. guestdirectedself: GDSP #6 is Noir. Everyone has a little darkness inside of them.  Let’s see yours. jscottgrand directed and inspired and made this one happen. guestdirectedself: GDSP #6 is Noir. Everyone has a little darkness inside of them.  Let’s see yours. jscottgrand directed and inspired and made this one happen.

    guestdirectedself:

    GDSP #6 is Noir.

    Everyone has a little darkness inside of them.  Let’s see yours.

    jscottgrand directed and inspired and made this one happen.

  3. eversonpoe: akubizone: E is for Equivocal Noir A-Z by Julian Hibbard. One of those ideas where you go, “Damn, why didn’t I think of that.” Very good, especially G is for “GASP” eversonpoe: akubizone: E is for Equivocal Noir A-Z by Julian Hibbard. One of those ideas where you go, “Damn, why didn’t I think of that.” Very good, especially G is for “GASP”

    eversonpoe:

    akubizone:

    E is for Equivocal

    Noir A-Z by Julian Hibbard. One of those ideas where you go, “Damn, why didn’t I think of that.” Very good, especially G is for “GASP”

  4. Don’t ask him questions about his actions or question his judgment or integrity. Remember he is the master of the house and as such will always exercise his will with fairness and truthfulness. You have no right to question him. A good wife always knows her place. - part of The Good Wife’s Guide from Housekeeping Monthly, 13 May 1955  Don’t ask him questions about his actions or question his judgment or integrity. Remember he is the master of the house and as such will always exercise his will with fairness and truthfulness. You have no right to question him. A good wife always knows her place. - part of The Good Wife’s Guide from Housekeeping Monthly, 13 May 1955 

    • Don’t ask him questions about his actions or question his judgment or integrity. Remember he is the master of the house and as such will always exercise his will with fairness and truthfulness. You have no right to question him.
    • A good wife always knows her place.
    - part of The Good Wife’s Guide from Housekeeping Monthly, 13 May 1955 

  5. She was busy doing the dishes and cooking a lasagna, waiting for her husband to come home from a long day at work, when she heard a BANG in the basement. She went to investigate, calling out, “Hello? Who’s there?” She is about to receive an answer. She was busy doing the dishes and cooking a lasagna, waiting for her husband to come home from a long day at work, when she heard a BANG in the basement. She went to investigate, calling out, “Hello? Who’s there?” She is about to receive an answer.

    She was busy doing the dishes and cooking a lasagna, waiting for her husband to come home from a long day at work, when she heard a BANG in the basement.

    She went to investigate, calling out, “Hello? Who’s there?”

    She is about to receive an answer.

  6. Schraenker: Do you mean to say that you have to murder? Hans Beckert: It’s there all the time, driving me out to wander the streets, following me, silently, but I can feel it there. It’s me, pursuing myself! I want to escape, to escape from myself! But it’s impossible. I can’t escape, I have to obey it. I have to run, run… endless streets. I want to escape, to get away! And I’m pursued by ghosts. Ghosts of mothers and of those children… they never leave me. They are always there… always, always, always!, except when I do it, when I… Then I can’t remember anything. And afterwards I see those posters and read what I’ve done, and read, and read… did I do that? But I can’t remember anything about it! But who will believe me? Who knows what it’s like to be me? How I’m forced to act… how I must, must… don’t want to, must! Don’t want to, but must! And then a voice screams! I can’t bear to hear it! I can’t go on! I can’t… I can’t… -from M (1931) Schraenker: Do you mean to say that you have to murder? Hans Beckert: It’s there all the time, driving me out to wander the streets, following me, silently, but I can feel it there. It’s me, pursuing myself! I want to escape, to escape from myself! But it’s impossible. I can’t escape, I have to obey it. I have to run, run… endless streets. I want to escape, to get away! And I’m pursued by ghosts. Ghosts of mothers and of those children… they never leave me. They are always there… always, always, always!, except when I do it, when I… Then I can’t remember anything. And afterwards I see those posters and read what I’ve done, and read, and read… did I do that? But I can’t remember anything about it! But who will believe me? Who knows what it’s like to be me? How I’m forced to act… how I must, must… don’t want to, must! Don’t want to, but must! And then a voice screams! I can’t bear to hear it! I can’t go on! I can’t… I can’t… -from M (1931)

    Schraenker: Do you mean to say that you have to murder?

    Hans Beckert: It’s there all the time, driving me out to wander the streets, following me, silently, but I can feel it there. It’s me, pursuing myself! I want to escape, to escape from myself! But it’s impossible. I can’t escape, I have to obey it. I have to run, run… endless streets. I want to escape, to get away! And I’m pursued by ghosts. Ghosts of mothers and of those children… they never leave me. They are always there… always, always, always!, except when I do it, when I… Then I can’t remember anything. And afterwards I see those posters and read what I’ve done, and read, and read… did I do that? But I can’t remember anything about it! But who will believe me? Who knows what it’s like to be me? How I’m forced to act… how I must, must… don’t want to, must! Don’t want to, but must! And then a voice screams! I can’t bear to hear it! I can’t go on! I can’t… I can’t…

    -from M (1931)